ANOTHER CONVERT TO KINGDOM OF HEAVEN’S CRUSADE!

Thanx to CLUB DEBIL’s Ulrich von Hutten for bearing witness to the coming glory soon to sweep Germany: “If I had any doubts about whether I’m going to Leipzig for the Wave Gotik Treffen, they’ve been removed with this announcement: KINGDOM OF HEAVEN! The opportunity to see the new project of Radio Werewolf frontman Nikolas Schreck for the first time live. Hallelujah! … I need to see only KoH, I don’t care about the rest.  http://club-debil.com/…/wgt-ankuendigungen-19-und-31-03-20…/

wave-gotik-treffen-koh

NIKOLAS SCHRECK’S THE SATANIC SCREEN AMONG TOP 10 HORROR BOOKS

Nearly 14 years after its publication,  Nikolas Schreck’s THE SATANIC SCREEN’s critical reputation continues to grow. THE SATANIC SCREEN has been named among WICKEDHORROR.COM‘s indispensable reference books for horror fans, along with such classics in the field as Stephen King’s Danse Macabre, Les Daniels’ Living with Fear and David Skal’s The Monster Show.  And Wicked Horror even manage to get most of the complicated details of Nikolas’s spiritual journey right! http://www.wickedhorror.com/top-horror-lists/ten-indispensable-reference-books-for-the-horror-fan/

The Satanic Screen by Nikolas Schreck

A CHILD OF THE LOVECRAFT GENERATION SPEAKS: A CONVERSATION WITH NIKOLAS SCHRECK

Danish Horror site Fra Sortsand interviews Nikolas on his books, growing up during the 60s Magic and Monsters Craze, the influence of “Weird Tales” magazine on his work, the negative effect of HP Lovecraft on occultism & much more! Interview in English after Danish intro:
https://frasortsand.wordpress.com/2015/03/11/et-barn-af-lovecraft-generationen-fortaeller-en-samtale-med-nikolas-shreck/

Lovecraft Generation

From Paris in the Sinister Sixties to Hollywood’s Magic Castle: How the Cult Horror Actor Ferdy Mayne Provided the Last Nail in the Coffin for THE MANSON FILE

By Nikolas Schreck

Ferdinand Mayne as Count von Krolock with Sharon Tate in Roman Polanksi's Dance of the Vampires
Ferdinand Mayne as Count von Krolock with Sharon Tate in Roman Polanski’s Dance of the Vampires

 Life’s twists and turns, you may have noticed, have a way of coming full circle in the most unexpected ways. When exploring that unfathomable black hole in the spacetime continuum we know as the Tate-LaBianca case, I’ve seen this pattern of synchronicities and eternal returns border on the mind-boggling.

Consider if you will, as Rod Serling might have put it when introducing an episode of The Twilight Zone, how my interactions with the on-screen reel life and the off-screen real life of the late great actor Ferdy Mayne led to a decisive turning point in my understanding of the Tate-LaBianca murders. In honor of the karmic debt I owe to Herr Mayne for his groundbreaking assistance in my research, this, what would’ve been his 99th birthday, makes a fitting occasion to offer a few observations on the oddity of it all.

Continue reading From Paris in the Sinister Sixties to Hollywood’s Magic Castle: How the Cult Horror Actor Ferdy Mayne Provided the Last Nail in the Coffin for THE MANSON FILE

New Exclusive Interview with NIKOLAS in DANGEROUS MINDS article on RADIO WEREWOLF’S Classic TV Battles with WALLY GEORGE

Dangerous Minds NS FBRead the article and see the Clips here:
dangerousminds.net/comments/80s_sicko_freako_goth_band_hilariously_hardtrolls

From Christopher Bickle’s interview with Nikolas:

“DANGEROUS MINDS: It seems your appearance on Hot Seat is a masterful bit of what would be today called “trolling.” You never break character as you deliver patently absurd decrees with a confident, straight face. Was that difficult to maintain in front of such a hostile audience?

NIKOLAS SCHRECK: No, it wasn’t difficult, as I’d already trained myself in performance and in “real life” to keep a poker face under even more extreme situations than that. I accept your compliment in the spirit it’s offered, but a “troll”, in cyberspeak, is usually just some anonymous sadistic creep trying to provoke a reaction for the sake of it from the cowardly safety of a keyboard. I’d say there’s a big difference between that and personally confronting a hostile horde face to face. Also, there’s an implication of insincerity in “trolling” whereas those particular appearances were just slightly caricaturized exaggerations of the general beliefs I espoused at that time. In fact, what I said on Hot Seat was deliberately dumbed down and tamed for that particular crowd, who I didn’t consider capable of understanding the even more radical religio-magical views I held in 1987. As for breaking character, all of my work then and now has a certain measure of straight-faced black comedy to it, which you have to be on the same wavelength to “get.” From my current Tantric Buddhist perspective, there is no solid “character” under the shifting illusion we imagine to be a permanent self. ”

THE OFFICIAL ONLINE PRESENCE OF NIKOLAS SCHRECK